Startitis

Lately I have had the urge to start a LOT of fiber projects. Despite being retired, I have only so much time and energy. What I really need is some finishitis.

Crochet: The lessons with my granddaughter continue. I've been working on a jellyfish pattern from a book to get a feel for how to do the one she likes. I also tried to start a crochet rug, but it's not going well.

Knitting: I worked on the socks at the recent spinning guild meeting.
Spinning: Yet *another* spin-in, this time with a group of friends; I worked on the last of the Tasman comeback.
Weaving: Started warping a log cabin scarf on the SampleIt for my SO.

I volunteered to help with the 2025 programs for the spinning guild. My motives are questionable - there are several programs I think we should do and the best way to see that they come to pass is to get involved in the planning. No one is objecting, though.

Disappointment

One of the spinning guild members brought samples of yarn dyed with amaranth to a meeting. It was pink! So I had to give amaranth a try.

I grew the plants myself (seeds ordered from Pinetree Garden Seeds). But instructions for the dyeing process itself was skimpy. None of my dye books mention it, and only a few online sources have anything to say about it.

I went with a cold water dye bath, which produced a promising color. I tried some alum-mordanted yarn (alum added to the dye bath instead of pre-mordanting the yarn), some rhubarb leaf-mordanted yarn, and some unmordanted yarn. The yarn soaked for over 24 hours.

The alum mordant produced a lilac color, no mordant resulted in pink, but the rhubarb leaf mordant seem to mask any color change.

Alas, the color is already fading, especially the pink. I may give it another try, as from what I read, amaranth is a rampant self-seeding plant. I doubt I will get anything less fugitive, though.

Crochet: My granddaughter and I are continuing her lessons. I think next time, we will be able to start the project that is her end goal (photo below). I started one from a similar jellyfish pattern to get the idea, plus a fiber friend helped me with how to do some of the details.

Dyeing: See above.
Knitting: The heels are turned on the Bigfoot socks.
Spinning: Thanks to a spin-in on Saturday, I finished spinning the maroon merino top.
Weaving: I dragged out the Ashford SampleIt loom and am playing with color combinations for a scarf for my SO. I am also adding to the circular weaving project that has been "resting".

This past weekend was a fiber-filled one. Besides the spin-in on Saturday, both the spinning guild and weaving guild demonstrated various fiber arts at the downtown branch of our local library system, in honor of Spinning and Weaving Week. We always enjoy these events, but have some ideas to make them more fulfilling in the future. The spinning guld members wore their tee shirts; we are working on getting some for the weaving guild as well.

Mostly cotton artisan market bag

My fiber journey began with crochet, but I haven't "hooked" much in recent years. My granddaughter is interested in learning to crochet, which rekindled my interest. Then a fiber friend crocheted one of these bags, which pointed me in this direction.

Pattern: Artisan Market Baskets, from Crochet Southwest Spirit, by Susan E. Kennedy
Yarn: A Good Yarn (hand painted fingering yarn by Mary Ann Habeeb, superwash wool and nylon); Maysville 8/4 Cotton Carpet Warp in 'Tulip' and 'Yellow'; Lion Brand Kitchen Cotton in 'Blue Ice', 'Tropic Breeze, and 'Grape'; Lion Brand Lion Cotton Solid in 'Off White'; Omega Sinfonia in 'Matizado Azules'; Pisgah Peaches & Creme Ombres in 'Spring Meadows'
Hook: L (8.00mm)
Modifications: Handle

The pattern calls for seven(!) yarns to be held together. I have a LOT of odds and ends of yarn from various projects, so this seemed like a good way to use some of them up. To start, I pulled both ends from the cake of A Good Yarn (blue and brown), added the 'Blue Ice' Kitchen Cotton, the Lion Cotton, the Sinfonia (various shades of blue), and the two colors of cotton carpet warp. That made a nice bulky yarn. When I ran out of the 'Blue Ice', I switched to 'Tropic Breeze', and when that ran out, to 'Grape'. Similarly, when the Lion Cotton ran out, I switched to the Peaches & Creme.

A fair amount of effort goes into yarn wrangling, so I had to sit at the dining room table to work instead of curling up on the couch. One problem I had with all that yarn was sometimes one of the fingering yarns escaped. When I noticed it, I backed up to fix it, but I missed several of these loops. Lesson learned. The other problem I had was crocheting makes my hands hurt!

The pattern called for a leather (or leather-like) strap handle, but I went with something I found on a YouTube video. One simply skips 8 stitches, making 8 chain stitches in the process, on either side of the bag. On the next round, crochet 10 single crochet stitches in the loop created by the chain stitches.

The bag is a bit floppier than I expected. Since it consists of all cotton and sock yarn, it is machine washable (theoretically). I wouldn't try to carry a watermelon in it, but it would have worked fine for the baklava I purchased at a recent fair.

At that fair, I chatted up a woman who was selling crocheted boxes. They were much stiffer. Her secret was to crochet around a rope, like clothesline or mop yarn, and to use wool, which locks together better than cotton. I may have to try that someday.

Felted up

This past week I felted the L-Bag and its pocket patch. Initially, I didn't use lingerie bags - MISTAKE. After deciding the fabric couldn't be too felted, I ran it through two hot water agitation cycles with a pair of jeans. The bag has a nice shape to it, but the rectangle is a bit skewed.

Crochet: I finished the artisan market bag - it's a bit floppy; separate post to follow. I met a woman yesterday who makes similar fiber boxes, but she uses wool and crochets around a core of rope, like clothesline. Hers are much stiffer.
Dyeing: As I write, some skeins of yarn are soaking, destined for the amaranth dye pot.
Knitting: Still working on Bigfoot's socks.
Spinning: Still spinning the merino top.
Weaving: Fourth Third wash cloth off the SampleIt loom. I'll explain that later.

The local parks and rec department put an end to our spring fiber festival, instead inviting us to join their new fall harvest festival. I didn't attend last year, but this year demo'd spinning. It's a lot of fun chatting up the visitors, both kids and adults. I spun on my wheel, but the kids could also spin a little yarn of their own on a spindle. Some improvements for next year: have microscopes or some kind of magnifiers so the kids could look at wool fiber and see the barbs. Also, have samples of wool they can feel and SMELL.

Clapotis contest, and some crochet

Have you ever knit a clapotis? The pattern appeared on Knitty.com twenty years ago. To celebrate this popular project, Knitty is offering a clapotis fest contest.
Knitters are encouraged to use yarn from an indie dyer.

I knit one in 2010, from Cascade Pima Tencel, a yarn that has been (rightly) discontinued, as it sheds. I may knit another, maybe from handspun. The deadline is December 1, 2024, so I have some time to decide, as the first one took less than two weeks to knit.

My granddaughter has expressed an interest in learning to crochet(!) I'm so excited, as I have tried to interest her in crafts over the years but to no avail. She wants to be able to make amigurumi animals. We've had one lesson so far: chain stitch and single crochet. Next up will be honing her technique: how to hold the yarn and needle to maintain tension and produce even stitches. I hope she has been practicing.

I stocked up on cheap yarn for her to use.

My granddaughter's interest in crochet has revived my interest in it as well. A fiber friend fed that fire by sharing a photo of two baskets she crocheted from yarn scraps. So, of course, I had to try my hand at a basket myself.

The pattern is from Crochet Southwest, by Susan Kennedy, and is called "Artisan Market Baskets". It calls for seven yarns held together (although any combination that results in a bulky yarn would work). I am pulling both ends from a cake of sock yarn (one of those Why did I buy this?!? purchases), two colors of 8/4 cotton, one color of Lion Brand cotton, Lion Brand Kitchen Cotton leftover from a weaving project, and some varigated Sinfonia mercerized cotton I think I purchased at Tuesday Morning. So mostly cotton, but I think it is impossible to select a bad choice of yarns and colors for this project.

The hardest part is the yarn wrangling. If you look closely at the photo below, near the center you will see a bit of brown sock yarn that I didn't maintain tension on, so there is a loose loop. By the time I noticed it (and several others), I was far enough along I didn't want to go back, but I'm trying to be more careful going forward.

The only other problem with crochet is it makes my hands hurt.

Crocheting: See basket info above. I also started a Woobles penquin.

Dyeing: I cut down some of the amaranth, which is now soaking in tap water in the garage. I plan is to use half with an alum-mordanted yarn, half with rhubarb leaf-mordanted yarn. I hope to soak the rest of the amaranth in well water, which contains a lot of iron. which should produce a different result. Amaranth is not very colorfast, so I am going to dye some test samples as well.

Knitting: Socks progressing. I still haven't felted the L-Bag pieces.
Spinning: I keep looking at the fiber on the spinning wheel, keep meaning to get back to it, but so far no success.

I don't mean to keep harping on swatching, but I started one this past week, to see how two yarns looked together. I didn't have to go far to decide I don't like them knit this way.

I keep looking for a pattern for this rather coarse yarn, but so far no luck.

Saved by the swatch

The pattern I want to base the basketweave sweater on is basically reversible. But stripes are not reversible, as I realized when I tried swatching them, so I'm cool on that idea. In fact, I'm now leaning toward buying new yarn for the sweater. Maybe.

Which reminds me of my fiber goals for the year. The "Buy no fiber" one didn't last long. Finishing a poncho I started a LONG time ago has not happened... yet (hope springs eternal). And I didn't dye any roving, which I'm thinking is not a good idea anyway because it is difficult to dye roving at home without felting it.

The tee shirts for the spinning guild have been delivered... mostly. Not all those who ordered them attended the last meeting, so I still have a few. I'm glad I ordered several extra ones, as they were snatched up. I have to admit I am not in love with the color of the lettering, as I think it is difficult to read across the white, but others liked it.

Knitting: I finished the pocket square, which is more like a pocket rectangle. Now all I need to do is felt the square and the L-Bag (once I catch up on the laundry). The Big Foot socks are under way - great TV knitting.
Spinning: Did I spin this week? Probably some, working with the maroon merino top.

Surprisingly, there are several local opportunities to see fiber arts in the wild this month. By "wild" I mean in exhibits. The Orchard Gallery is featuring one of our weaving guild members who not only weaves, put "paints" with felted fiber and practices "ice dyeing". I bought one of her scarves.

Another weaving guild member is participating in an exhibit in the gallery at the downtown branch of our local library system. She is a member of Complex Weavers, and it shows.

One of the current exhibits at ArtLink features four(!) fiber artists. I wish we could have attended the panel discussion they had after the opening. Too bad they did not record it.

Notice the swatch on the right!

I've been playing around with the idea of loading all my yarn and roving into big totes and storing them in the garage, to free up space in the spare bedrooms. Of course, each bin would have to have a manifest so I could find stuff. Or would the stored fiber just be forgotten?

I never regret swatching

I'm still enamored with the sweater I mentioned several posts ago. I think I could make modifications to this pattern (which I knit a while ago) that would approximate what I'm aiming for. But what kind of stitich to use?

I started with one called Ringwood, on a heathered brown yarn, but the stitches barely showed up. I switched to some Lion Brand Fisherman's wool in natural and I switched to a basketweave stitch. The stitch shows up much better on the lighter wool, plus the stitch pattern is a bit easier.

Interestingly, I find the wrong side of the fabric to be more interesting than the right side. Several friends I've canvassed agree. The sweater pattern is knit in reverse stockinette, so it should work well.

Now the question is whether to purchase more Lion Brand yarn, or make do with something I already have. There is some yarn I bought many years ago, some in natural and some in maroon, but there is not enough of either color to make a sweater. So now I am going to knit a swatch using this yarn in stripes. Hopefully, after that I will feel confident enough to cast on.

Knitting: My SO had hand surgery this past week, so I made some progress on the socks while sitting in the waiting room. The pocket square for the latest L-bag is almost done.
Spinning: It occurred to me that the roving I purchased at the last weaving guild meeting was priced per ounce, whereas I thought the price was for each bag. I fretted about that, but the seller assured me the price on each bag was for the bagful. Whew! The merino that I am now spinning came from her.

The local parks and rec department discontinued the spring fiber fest at Salomon Farm (attendence was too low after the pandemic). Instead, the guilds will have a presence at the Fall Harvest Festival. I'm digging out some unwanted knitting to sell, pricing each item around $5 per ounce, which of course does not cover labor. We'll see how that goes.