Dimensional Weaving workshop

Last Friday and Saturday I spent six hours a day weaving. If I did that every day, I would get a LOT done! I would also be stiff as a board. Even though we stretched periodically, I felt nearly crippled by the end, happy to come home and lay on the floor for a while.

The instructor was Martina Celerin (web site may be found HERE). Almost all the materials she uses are scavenged from here, there, and everywhere, including Goodwill by the Pound. Consequently, most of the fiber was acrylic yarn, not my favorite material to work with. But there were also beads, shells, crinoids, feather boas, leather strips, etc.

No experience was necessary to take this class. You also did not need to bring or buy any equipment, as Martina supplied looms (built from scrap lumber), shuttles and pick-up sticks (made from yard sticks), and beaters (real metal forks). At the end of the class, I did purchase my equipment, partly because I was not finished but also because I seem to have become a collector of frame looms.

I came with an idea and some of my own materials, but the narrow loom precluded following that path. The second day we discovered a feature of these looms: because the nails run all the way to the edge, two looms may be clamped together, to form a wider one.

All it takes is a drill, a couple of nuts, and two long bolts.

While everyone else seemed to be creating pretty, 3-D pictures, I somehow ended up with monsters (ala Make It Mighty Ugly, by Kim P. Werker). The mummy was supposed to be a skeleton (everyone else was making trees and/or branches), but once I started wrapping, I just kept wrapping until a mummy appeared. I needle felted the pumpkin from some roving I brought, now that I know how to do that from a PREVIOUS WORKSHOP. (I wish I had used candy corn colors for the borders.)

At one point, while waiting on the instructor to cover the next technique, I started weaving from the other end of the loom, creating a gradient sunrise.

Since we started weaving right next to the nails, one end of the piece(s) will naturally have no fringe. And right now I can't recall the details about the other end except that each pair of warp threads needs to be tied together. Ends on the back of the piece can be tacked down with a glue gun.

I'm not going to start weaving like Martina, but I'm sure the techniques I learned will inform my own weaving. It's easy to get bogged down with weaving rules when there really aren't any. Or maybe a better way of saying that is, Learn the rules, then break them.