Weaving Class Tote, part 2

The bag on the cover of the Spring 2025 issue of Little Looms was the goal.

Not too shabby.

But getting there was rather painful. After struggling with the instructions, the handwoven material, my lack of sewing skills, etc., I decided to make a practice bag. This helped immensely. Then I basically tore apart what I had accomplished so far and started over with the sewing of the handwoven. My seam ripper and I really got to know each other during this phase.

This inkle band is more substantial than the one for the practice bag, but I think it too is a bit flimsy. Annie MacHale weaves guitar straps using Sinfonia mercerized cotton; in the future, I will do the same when I want something more firm.

While the foam stabilizer was easy to sew through, tension problems arose when the layers included not only the handwoven, the foam, and the cotton lining, but the inkle band as well. Some have suggested using a "walking foot" (whatever that is) to remedy this.

Pattern: Weaving Class Tote, by Michele Marshall from the Spring 2025 issue of Little Looms
Weave structure: plain weave
Loom 1: Ashford rigid heddle 24"
Warp: 8/2 cotton in colors as close as I already had without buying (too much) more
Weft: 8/2 cotton in white
EPI/PPI: 12.5/11
Ends: 250 doubled, so 500
Loom 2: Ashford inkle loom
Warp: 8/4 cotton rug warp in colors I already had without buying (too much) more
Weft: 8/4 cotton run warp in white
EPI/PPI: 39/9
Ends: 73

This weaving project is the most ambitious one I have tried so far, but I learned a lot. When I recover, I hope to sew more bags, from both handwoven and commercial fabric.